Nowhere (Hiçbiryerde)

Nowhere (Hiçbiryerde) (translated)

Movie · 2002 · 20 people

Hiçbiryerde (international title In Nowhere Land) is a 2002 film written and directed by Tayfun Pirselimoğlu, his first film. Its producers are Zeynep Özbatur, Kadri Yurdatap and Gudrun Ruzickova-Steiner; the cinematographer is Colin Mounier and the music is by Cengiz Onural. It was first shown on April 26, 2002, at the 21st Istanbul International Film Festival and opened in cinemas on September 20, 2002.

Şükran (Zuhal Olcay) is a woman in her forties who works at the ticket window of Haydarpaşa station. Her husband went through very hard times because of his political past, and she tries to keep her son Veysel (Ruhi Sarı) away from politics. One day Veysel disappears. Şükran applies to the authorities and is turned down every time. Veysel's girlfriend Şule (Devin Özgür Çınar) says the son was killed, but Şükran is not convinced. From what people tell her she comes to believe he is in Mardin and travels there to look for him. Meral Okay plays Melek, Cezmi Baskın plays Muzaffer, Sermet Yeşil plays Halil and Michael Mendl plays Gerhard.

While the film was competing at the festival, the censorship sub-board found it objectionable, but the higher board decided to grant it an exhibition license. Zuhal Olcay won best actress at the Istanbul festival and at the SİYAD awards, and the film took the Special Grand Prize of the Jury in Montréal.

DirectorTayfun Pirselimoğlu
Nowhere (Hiçbiryerde) Nowhere (Hiçbiryerde)

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Through different eyes

AI-assisted editorial takes written from different viewer perspectives. They are not reader reviews; those are below.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Tayfun Pirselimoğlu's first film follows Şükran, who works at the ticket window of Haydarpaşa station, as she searches for her missing son. Zuhal Olcay winning best actress at the Istanbul festival and at SİYAD shows that acting is the film's core. Colin Mounier's cinematography and Cengiz Onural's music build an atmosphere that supports its images of station and journey. Slow rhythm and silence may test viewers used to conventional narrative speed. Even so, a measured and bold attempt at auteur cinema for a first film. This restraint is the film's strength.

History & Society Lens Asks about the period, the social background and what the work reflects.

Hiçbiryerde is the story of a mother who, after a husband who suffered hard times because of his political past, tries to keep her son away from politics. The son's disappearance, her applications to the authorities being turned down and the journey to Mardin show the individual's helplessness before the state. The censorship sub-board finding the film objectionable and the higher board granting a license shows how sensitive its subject was. Rather than imposing a thesis, the film shows the shadow of its period through one family's loss.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

A missing son, the closed doors of the authorities, the shadow of a political past: a heavy, quiet and slow-moving drama. It is not suitable for watching with children, and for teenagers it carries a weight that needs adults to talk through. For parents, a mother's search for her child may leave a strong feeling. Those who want a light evening should choose something else. I recommend it to adults who can spare time for serious cinema.

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