Yakut Gözlü Kedi

Ruby-Eyed Cat (Yakut Gözlü Kedi) (translated)

Movie · 1966 · 5 people

Nejat Saydam directed the black-and-white Turkish film Yakut Gözlü Kedi (Ruby-Eyed Cat) in 1966. Mixing crime, adventure and comedy, it adapts Ümit Deniz's 1961 novel of the same name, co-written for the screen by Saydam and Deniz. It runs about 100 minutes and was produced by Murat Köseoğlu for Acar Film. Cüneyt Arkın stars as Murat Davman, a journalist and amateur detective facing a tougher puzzle this time.

The story revolves around two rubies. Said to be worth ten million, they once sat on a Buddha statue some two thousand years ago; after thefts they became the eyes of a cat figure and brought owners misfortune. Years later, at a party in a mansion in Çamlıca, a scream rises from the garden and the family's pasha is found hanging from a tree. Murat, who is close to the pasha's granddaughter Aylin (Selda Alkor), takes charge. Neriman Köksal plays Aylin's sister Serap, Muammer Gözalan the pasha's son Muhtar Molvan, and Hüseyin Zan the waiter Ali Korkmaz, and Hayri Esen is Inspector Necdet Atak. As questioning proceeds, traces of an earlier killing and a revenge plan surface.

Melih Sertesen shot it and Tuncer Aydınoğlu composed the music. Suzan Avcı and Tunç Oral appear; Cüneyt Arkın is dubbed by Sadettin Erbil.

DirectorNejat Saydam
Production companyAcar Film

Reactions

You can pick up to 3 reactions.

Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Yakut Gözlü Kedi is a charming film with the flavour of the black-and-white Turkish crime picture. Adapted from Ümit Deniz's novel, it gathers the beloved ingredients of mystery fiction: ill-omened rubies two thousand years old, a mansion in Çamlıca and a pasha found hanging from a tree in the garden. Watching Cüneyt Arkın as Murat Davman, a curious journalist-sleuth, is a pleasure of its own, and Selda Alkor and Neriman Köksal add grace to the screen. The dubbing customary for the period, with Arkın speaking in Sadettin Erbil's voice, may strike today's viewer as odd; for anyone fond of that era's cinema, though, it is a familiar warmth.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A party at a mansion, a scream from the garden, a pasha found hanging from a tree: Yakut Gözlü Kedi has great raw material. Cursed rubies, an old killing and a revenge plan keep the mystery alive. But the crime story is mixed with comedy here, and as the questioning goes on the tension slackens at times. It may feel slow if you are used to today's pace; if you want a classic detective puzzle, it is a likeable pick.

History & Society Lens Asks about the period, the social background and what the work reflects.

Yakut Gözlü Kedi shows the world of a pasha's family living in a mansion in Çamlıca, framed as a crime story. The pasha, his son, his granddaughters, a waiter and the journalist who takes charge: the cast sets mansion life side by side with the service relationships around it. Being adapted from Ümit Deniz's 1961 novel, it also gives a sense of how the local crime fiction of the time was carried to the screen. Rubies stolen from a Buddha statue that change hands and bring their owners misfortune revive an old motif, the curse of wealth and inheritance. The fact that the film is dubbed is another detail recalling Yeşilçam's production habits.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments