Fırtına

Storm (Fırtına) (translated)

Movie · 1977 · 3 people

Nejat Saydam directed the Turkish adventure film Fırtına in 1977 from a script by Safa Önal. Produced by Hasan Gürkan and İrfan Ünal under the Akün Film banner, it runs 85 minutes and opened on 1 February 1978. Kadir İnanır, Harika Değirmenci and Beyk İmanverdi take the leading roles.

The story begins on the open sea. Halil Kaptan (Kadir İnanır) and Ahmet (Beyk İmanverdi), casting nets to pay off their newly bought boat, pull two women clinging to wreckage out of the water: Beyza Sabuncu (Harika Değirmenci) and Nermin (Güli Zengene), the only two survivors of a plane that went down on its way to Paris. Beyza, desperate to reach shore, tricks Ahmet into starting the boat, but a great storm breaks. At dawn the four find themselves on the edge of a deserted island, the boat in pieces. With nothing to do but wait for rescue, they eventually lose hope and begin to build a new life, and love and passion are among the story's recurring motifs.

Erdoğan Engin was the cinematographer. The supporting cast includes Diler Saraç, Nezihe Güler, Osman Alyanak and Ertuğrul Bilda. The soundtrack voices were recorded afterwards: Sadri Alışık voices Beyk İmanverdi and Abdurrahman Palay voices Kadir İnanır.

DirectorNejat Saydam
Production companyAkün Film

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Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Unlike Yeşilçam's mansion and neighbourhood stories, Fırtına is set on the open sea and a deserted island, which gives it an unusual sense of space. Safa Önal's story weaves love and survival together. Abdurrahman Palay voicing Kadir İnanır and Sadri Alışık voicing Beyk İmanverdi is a small surprise for old film lovers: a familiar voice on an entirely different face. An unpretentious, simple but sincere adventure, and a pleasant break for anyone who misses the cinema of those years.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Two women pulled from wreckage, a storm breaking loose, a smashed boat and a deserted island: a great setup for a survival story. In my view the strongest material is the storm and the first scramble to stay alive. But once a new life starts taking shape on the island the story drifts towards love and passion, and anyone hoping for a fight against nature may find this stretch losing pace.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Shutting four people on a deserted island is fertile ground for character conflict in a confined space. Safa Önal's script brings two worlds into collision: two fishermen trying to pay off their boat and two women who survived a plane crash on the way to Paris. Beyza tricking Ahmet into setting off is a clever dramatic knot that ties the disaster to a character's own choice, so the island can become a place of guilt and reckoning. But as the love-and-passion motifs move to the fore, that class and psychological tension risks turning into an ordinary romance. Fırtına is interesting to the extent that it can carry its strong opening all the way through; its setup is smarter than that of most adventures of the period.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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