Clash of Civilization Over an Elevator in Piazza Vittorio

Clash of Civilization Over an Elevator in Piazza Vittorio (Scontro di civiltà per un ascensore a Piazza Vittorio)

Movie · 2010 · 8 people

Isotta Toso directed the 2010 Italian comedy Clash of Civilization Over an Elevator in Piazza Vittorio, originally Scontro di civiltà per un ascensore a Piazza Vittorio, and co-wrote the screenplay with Maura Vespini. Running about 96 minutes, it shows how very different worlds meet under the roof of a single apartment building.

The story is set on Piazza Vittorio in the center of Rome, a multicultural microcosm where locals mix with immigrants and refugees. The residents of an old apartment building on the square are almost a mirror of the world outside. Differences of culture, language and religion among these people of varied origins breed misunderstandings and prejudice in the closed setting, but sometimes solidarity and even affection too. One day the young bully Lorenzo is found dead in the building's elevator. In the investigation every resident gives a statement as a witness; as everyone airs their own grievances, the process gives this colorful community, at once very funny, sad and sharp-eyed, a sense of belonging.

The cast is led by Roberto Citran (Professor Marini), Francesco Pannofino (the barman), Kasia Smutniak (Giulia) and Ahmed El Hafiene (Amedeo), alongside Daniele Liotti, Milena Vukotic, Luigi Diberti, Fabio Traversa and the Turkish actress Serra Yılmaz.

DirectorIsotta Toso

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Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

In the film, Piazza Vittorio in central Rome is drawn as a small world where locals live side by side with immigrants and refugees. A single apartment building becomes a testing ground where differences of culture, language and religion breed both prejudice and solidarity. After young Lorenzo is found dead in the elevator, each resident gives a statement as a witness, and what emerges is a social cross-section in which everyone voices their own grievances and identity. Handling migration through humour rather than heavy drama is the film's smartest choice. The presence of Turkish actress Serra Yılmaz in the cast is a nice link for Turkish viewers.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Films about the residents of one building, their small quarrels and their intertwined lives always feel warm to me, and this Italian comedy recalls that lovely tradition. The relationships between people of different origins, beginning in prejudice and sometimes ending in affection, warm the heart. Being funny and sad at once is the most precious quality of a good popular comedy. Only the way the story, opening with a death, advances piece by piece through the residents' statements may feel a little scattered to an eye used to classical storytelling.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A bully found dead in an elevator and the investigation that follows: on paper it sounds like a crime thriller, but the film is built on talk and humour far more than tension. As the inquiry moves on, character portraits take over from suspense. If you like pace, the middle calls for patience; still, wrapping up in about 96 minutes and landing its jokes saves the day.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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