Flirtatious Girl (Cilveli Kız)

Flirtatious Girl (Cilveli Kız) (translated)

Movie · 1969 · 9 people

Türker İnanoğlu directed and produced Cilveli Kız, a Yeşilçam film from 1969 with a screenplay by Fuat Özlüer. Blending comedy with sentimental drama, it stars Filiz Akın and Kartal Tibet. The colour film runs about ninety minutes and was made by Erler Film.

In a poor Istanbul neighbourhood, four cheerful friends make a living selling razor blades, socks and laundry goods on the street: the beautiful Kiraz (Filiz Akın), the moustached Ömer (Hüseyin Baradan), the 150-kilo Tosun (Necdet Tosun) and the featherweight Pire Mehmet (Moris). Kiraz's father (Mümtaz Ener), who walks on crutches, can only be operated on in England, for 50,000 lira. Across the city, the millionaire Hacı Hayrullah Akay (Hulusi Kentmen) wants to stop his son Aydın (Kartal Tibet) marrying the nightclub singer Okşan (Feri Cansel). Meeting the peddlers on a ferry deck, he makes his offer: Kiraz will move into the neighbouring mansion as a society lady, her friends posing as cook, driver and servant.

Kiraz hesitates, but 50,000 lira up front and 50,000 more afterwards persuade her. The plan works, yet midway through the game Kiraz and Aydın really fall for each other and the deal takes an unexpected turn. The music is by Metin Bükey and the cinematography by Çetin Gürtop. As was usual then, many roles were dubbed by other voices.

DirectorTürker İnanoğlu
Production companyErler Film

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

This colour Türker İnanoğlu film pairing Filiz Akın and Kartal Tibet leans on one of Yeşilçam's best-loved patterns: a poor but proud girl, a rich mansion, and a real love that blossoms inside a game. What makes it endearing, to my mind, is that Kiraz joins the scheme not out of greed but for her father's operation, so the story's moral compass points the right way from the start. The solidarity of four friends selling razor blades and socks on the street carries the warmth of the old neighbourhood films. A light, good-natured afternoon picture.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A film the whole family can watch comfortably, with no crude language or violence to expect. Pretending to be someone else for money and then falling in love for real is a story you can explain even to children. One note: one of the friends is introduced by his weight and another by how slight he is. That habit of the era may strike today's children as odd, so it is worth talking about. Grandparents, on the other hand, will most likely enjoy it.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Cilveli Kız is almost a textbook case of the Yeşilçam mistaken-identity comedy: the plot moves step by step towards the moment when the masquerade turns into real feeling, and the audience knows from the outset that it is coming. That predictability is the film's weakest side, and the shifts between comedy and sentimental drama are bumpy at times. On the other hand, the four peddlers posing as cook, driver and servant in the mansion is a charming way of treating class difference through role-play. The period habit of dubbing many roles with other voices may sound artificial today; even so, Çetin Gürtop's colour photography has its own value for anyone curious about 1969 Istanbul.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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