İnek Şaban

Cow Shaban (İnek Şaban) (translated)

Movie · 1979 · 15 people

Can Film's Yeşilçam comedy İnek Şaban (literally Cow Shaban) was shot in 1978 under director Osman F. Seden and opened in cinemas on 1 February 1979. Seden wrote the script with Berrin Giz, and Kemal Sunal and Fatma Girik produced. A family comedy, it combines football with a favourite device of Turkish comedy, two men who look alike. It was shot in colour on 35 mm and runs 86 minutes.

Kemal Sunal plays two parts: Şaban, a naive watermelon seller in a shantytown, and the famous goalkeeper Bülent. When a club's keeper flees to America, its officials find Şaban, who looks exactly like him. Dreaming of going to Germany to raise the bride price, Şaban suddenly finds himself between the posts, quickly becomes a celebrated player and sees his life change. The film's world is not only the stadium; figures such as Kara Mithat, Arap Nuri and Jilet Rıza, and their henchmen, also get mixed up in the story.

The cast includes Defne Yalnız (Zeliha), Saadet Gürses (Ayşe), Yavuz Karakaş (Arap Nuri), Dinçer Çekmez (Kara Mithat), Süheyl Eğriboz (Jilet Rıza), Ali Şen (Bekir Efendi) and Orhan Elmas as the manager Kayhan. Macit Flordun appears as the coach and Seden himself as the club president. Cahit Engin was the cinematographer.

DirectorOsman Fahir Seden
Production companyCan Film
Cow Shaban (İnek Şaban)

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Kemal Sunal's naive Şaban is one of the best-loved figures of Yeşilçam comedy, and seeing him here in a double role, side by side with a famous goalkeeper, is a pleasure of its own. The two-lookalikes device has been used a great deal in Turkish comedy, and the film hardly strays from it; few surprises, but plenty of warmth. A watermelon seller from the shantytown suddenly finding himself in goal carries that old fairy-tale sense of good nature rewarded. Next to today's noisier comedies, it is a humbler, more sincere film.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Say Kemal Sunal and families come to mind, and this one is no exception. Football, a lookalike mix-up and the scrapes of naive Şaban make an entertaining story for children too. Still, figures like Kara Mithat, Arap Nuri and Jilet Rıza and their henchmen get mixed up in the plot, so it is good to sit with very young children during those parts. A Sunday-evening film that grandparents and grandchildren can laugh at together.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film fuses two great dreams of late-1970s Turkey in one man: going to Germany to earn money, and rising overnight through football. Şaban, a shantytown watermelon seller, thinking of Germany to raise the bride price recalls both the migration wave of those years and a tradition in which marriage was still an economic bargain. Football, meanwhile, looks like the quickest, perhaps the only, route up the social ladder. The comedy never turns this social backdrop into pointed critique, but those background details make the film a candid document of its time.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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