Vanilla and Chocolate

Vanilla and Chocolate (Vaniglia e cioccolato)

Movie · 2004 · 7 people

Sveva Casati Modigliani's novel of the same name is the basis of Vanilla and Chocolate (Italian title Vaniglia e cioccolato), which the Italian film authority recognised as an art-house release. Ciro Ippolito directed this Italian romantic drama for Cecchi Gori Group; it premiered in Italy on 11 February 2004 and runs about 110 minutes. In Turkey it opened on 17 December 2004 as Vanilya ve Çikolata.

At its center is Penelope (Maria Grazia Cucinotta), a faithful wife and mother of three. Her husband Andrea (Alessandro Preziosi) neglects her, always citing work. After repeated infidelities she can take no more and leaves, going to the quiet, empty house of her grandmother Diomira (Serra Yılmaz), returning to her youth and old memories. Andrea, alone with the three children, finds fatherhood hard, and his calls for her return go unanswered. He then learns of her earlier relationship with the painter Carlos, played by Joaquín Cortés.

The children suffer too: young Luca has an asthma attack at school, and his older sister looks for happiness with a much older young man. Ernesto Mahieux, Fabio Fulco and Licinia Lentini also appear. Franco Ferrini co-wrote the screenplay with Ippolito, and the couple must confront their past and accept one another as they are.

DirectorCiro Ippolito
Production companyCecchi Gori Group

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

A devoted, neglected wife leaving home to take refuge in her grandmother's quiet house: the premise brought back the familiar warmth of the old family melodramas. Maria Grazia Cucinotta's Penelope is a dignified portrait of a woman, recalling the patient heroine of myth whose name she bears. Seeing Serra Yılmaz in the world of the grandmother Diomira is a pleasant surprise for a Turkish audience. At its core lies a reckoning of conscience: facing the past and accepting one another as you are. Still, it felt to me that most of the weight is placed on the woman's shoulders, and a view that treats patience as the only virtue looks a little dated today.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Adapted from Sveva Casati Modigliani's novel, the film was recognised in Italy as an art-house release, yet what I saw on screen is closer to television melodrama than to art cinema. Ciro Ippolito and Franco Ferrini's script tries to carry too many side plots at once: the neglectful husband, the test of fatherhood, a past with the painter Carlos, young Luca's asthma attack at school, the older sister seeking happiness with someone much older. Most of them move on to the next before they have been explored. The stretch where Penelope retreats to her grandmother's house and returns to her youth and memories is the calmest and best part of the film; the story finally breathes there. Cucinotta carries the role, but the material keeps making her play the same note.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

An adult film about neglect, infidelity and separation in a marriage. A father left alone with three children after the mother leaves, and struggling with it, may feel familiar to many families. The children's troubles are shown too, but because the story turns on infidelity and old relationships, it isn't one for young kids. The older daughter's relationship with someone much older may also make parents uneasy. Better as a film for couples to watch on their own.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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