Piano Piano Bacaksız

Piano Piano Kid (Piano Piano Bacaksız)

Movie · 1991 · 3 people

The 1991 Turkish film Piano Piano Kid (Piano Piano Bacaksız) tells the war years through a child's eyes; Tunç Başaran directed it as a drama that also draws on comedy, family and history. "Piano piano" is Italian for "slowly". Jale Onanç and Arif Keskiner produced it for Çiçek Film. The film was selected as Türkiye's entry for Best Foreign Language Film at the 65th Academy Awards, but it was not accepted as a nominee.

The story is set in Turkey in 1944, while the Second World War is under way, inside an old wooden mansion. A different family lives in every room, and the relationships, closeness and later broken friendships that grow out of shared life are told through the eyes of an eight-year-old boy. That child's view also opens a critical window onto the İsmet İnönü era. In the cast, Rutkay Aziz plays Kerim, Emin Sivas Kemal, Yaman Okay Hızır, Serap Aksoy Kamile and Ayşegül Ünsal Feriha. Taner Barlas plays Senayi and Müşfik Kenter Büyük Kemal.

Başaran, Ümit Ünal and Kemal Demirel wrote the screenplay together, and Demirel is also credited as the author of the source work. Can Kozlu composed the music and Colin Mounier handled the cinematography. Shot in color on 35 mm, the film runs about eighty minutes.

DirectorTunç Başaran
Production companyÇiçek Film
Piano Piano Kid (Piano Piano Bacaksız) Piano Piano Kid (Piano Piano Bacaksız) Piano Piano Kid (Piano Piano Bacaksız) Piano Piano Kid (Piano Piano Bacaksız) Piano Piano Kid (Piano Piano Bacaksız) Piano Piano Kid (Piano Piano Bacaksız)

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

An old wooden mansion, a different family in every room and an eight-year-old boy watching it all... The setup recalls the spirit of our old films about the warmth of neighbours and the neighbourhood. Seeing masters such as Rutkay Aziz, Yaman Okay and Müşfik Kenter under one roof is a richness in itself. The sadness of friendships that break apart, joined to the innocence of a child's eye, touches the heart. Yet fitting so many people into about eighty minutes may also have left some of their stories half told.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film is set in Turkey in 1944, while the Second World War is under way, in a wooden mansion whose rooms are shared by different families. That arrangement works like a small model of society, showing both the closeness and the ruptures of shared life. Telling the story through the eyes of an eight-year-old keeps its criticism of the İsmet İnönü era from becoming a slogan and places it inside daily life. Its selection as Türkiye's submission to the Academy Awards shows that this memory of the period was taken seriously. For those who know the era only from official accounts, it offers a different window.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Because the story is told through a child's eyes, watching it with young people can mean a lot. It is about the war years, neighbours and friendships, with some funny moments along the way. But it is not a children's film: the drama comes first, and the political criticism of the period may go over little ones' heads. At about eighty minutes it is short. It suits watching with middle-schoolers and up, together with grandparents, and talking it over afterwards.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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