Monsieur Gangster

Monsieur Gangster (Les Tontons flingueurs)

Movie · 1963 · 3 people

Georges Lautner directed the 1963 gangster comedy Monsieur Gangster, known in France as Les Tontons flingueurs and also released as Crooks in Clover. A French-language co-production of France, Italy and West Germany, it runs about 109 minutes. Critics were cool on its 1963 release but audiences warmed to it, and its standing has since grown to cult status as a French television classic.

The film adapts Albert Simonin's 1955 novel Grisbi or not grisbi and closes the trilogy about the crook Max le Menteur, which began with Touchez pas au grisbi and Le cave se rebiffe. Simonin, Lautner and Michel Audiard wrote the screenplay: Simonin left the dark, bloody tone of the novel for humour, and Audiard supplied the dialogue. Lino Ventura, Bernard Blier, Jean Lefebvre, Francis Blanche and Claude Rich lead the cast, with Sabine Sinjen, Venantino Venantini and Robert Dalban.

Audiard's witty lines did most to make the film's name; fragments of dialogue and character names such as Lulu la Nantaise entered French popular culture. Its 2002 DVD sold 250,000 copies. One of its best-known scenes has the gangsters trying to chat in a kitchen over a vile, strong liquor. Audiard thought the scene pointless, but Lautner kept it in homage to Key Largo.

DirectorGeorges Lautner
Production companyGaumont Yapımevi

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Some films grow in value with time, and Monsieur Gangster is one of those lucky ones: coolly received by critics in 1963, loved by audiences and now considered a cult classic. Watching masters such as Lino Ventura, Bernard Blier and Francis Blanche together is a reminder of what fine acting means. Michel Audiard's witty dialogue is the film's soul; it is no accident that some of its lines and character names such as Lulu la Nantaise entered French popular culture. Choosing humour over the novel's bloody mood is a pleasing decision that makes the gangsters endearing. Those watching with subtitles may lose some of the finesse of the words.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Georges Lautner's film turns Albert Simonin's dark, bloody novel into comedy and offers a textbook example of a shift in tone. Being the last instalment of the Max le Menteur trilogy that began with Touchez pas au grisbi makes that break all the more interesting. The real star is Michel Audiard's dialogue, which the actors deliver almost like a musical score. Lautner keeping the kitchen scene that Audiard thought pointless, as a homage to Key Largo, is a fine sign of the director's love for the genre. But because the film leans so heavily on words, the plot slips into the background and the visual storytelling at times turns ordinary in the shadow of the dialogue. Perhaps that is where the critics' cool first response came from.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A warning to anyone who hears "gangster film" and expects gunfire and chases: in Monsieur Gangster, the real bullets are the lines. The film swaps the novel's bloody mood for comedy, so there is more wit than tension. The scene where the gangsters try to chat in a kitchen over a harsh liquor is famous, but it is no action set piece. The pace depends on the dialogue, so those craving movement may get bored. As a light crime comedy, though, it is good fun.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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