Biyografi Dünyası
Kızım Ve Ben

Kızım Ve Ben

Movie · 1988 · 16 people

Also known as Gurbet Kadını, Kızım ve Ben was directed in 1988 by Halit Refiğ as a Turkish melodrama. Safa Önal and Erdoğan Tünaş wrote the screenplay and Türker İnanoğlu produced it for Erler Film. It explores a mother-daughter bond through sacrifice and remorse.

Reyhan (Gülşen Bubikoğlu), abandoned while pregnant by her boyfriend Kenan (Kerem Yılmazer), leaves her baby at a mosque courtyard with a letter and then attempts suicide. Vedat (Cüneyt Arkın), a wealthy fashion industrialist, gets her to hospital in time and changes her life: she joins his firm, they marry, and together they search for the lost child, Çağla. Years later a grown, rebellious Çağla (Nilüfer Öz) is seeing Cem (Yılmaz Zafer), whom Reyhan dislikes because he means to use the girl to get rich. As money, threats and pressure pile up, the tension between mother and daughter ends in a tragic confrontation that reaches a courtroom.

Cem Erman, Devrim Parscan and Bülent Ufuk are also in the cast; the cinematographer is Çetin Gürtop.

DirectorHalit Refiğ
Production companyErler Film

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Cast

Gülşen Bubikoğlu Gülşen Bubikoğlu Actor · 71 years old Reyhan Olcay Cüneyt Arkın Cüneyt Arkın Actor · died at 84 Vedat Olcay Yılmaz Zafer Cem Taner Nilüfer Öz Çağla Olcay Kerem Yılmazer Kerem Yılmazer Actor · died at 58 Kenan Bülent Ufuk Raşit Cem Erman Actor · 1947 – 2011 Selman Devrim Parscan Namık Hülya Birbilen Çağla as a child Mesut Sürmeli Judge Faruk Savun Reyhan's father Nuri Tuğ Servant Cihan Alp Driver Ahmet Canseven Stavro Yuanidis Orhan Elmas Orhan Elmas Film director · died at 75 TV programmer

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Through different eyes

AI-assisted editorial takes written from different viewer perspectives. They are not reader reviews; those are below.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Halit Refiğ directing, Safa Önal and Erdoğan Tünaş writing, Türker İnanoğlu producing: with names like these you expect a strong Yeşilçam melodrama, and that expectation is largely met. Gülşen Bubikoğlu's Reyhan carries the pain of a mother caught between sacrifice and regret with heartfelt acting. Cüneyt Arkın plays a man defined more by his tenderness than his fists, and it suits him. The story sometimes pushes too hard for tears, but its faith in the bond between mother and daughter keeps the film standing.

History & Society Lens Asks about the period, the social background and what the work reflects.

Kızım ve Ben uses the language of melodrama to explore a woman left alone and the theme of a lost child in late-1980s Turkey. A woman abandoned by her lover while pregnant leaving her baby in a mosque courtyard makes you think about how ostracizing unmarried motherhood could be in the society of those years. That Reyhan's rescue comes through marriage to a wealthy industrialist also reflects a world where security and social mobility were still defined by marriage. The film touches on generational conflict and how money poisons relationships too, though it chooses emotional intensity over sociological depth.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

An emotional film about the bond between a mother and her daughter. But know this before watching with children: there is a suicide attempt, plus threats and pressure. The subject is heavy too – an abandoned mother, a lost child and a fight that goes all the way to court. Not suitable for young kids. Teenagers and adults, especially fans of old Turkish melodramas, can watch it with tissues ready.

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