Hanım

Woman (Hanım) (translated)

Movie · 1988 · 4 people

Halit Refiğ directed the Turkish drama Hanım, writing the script with Nezihe Araz. Shot in colour on 35 mm and psychological in tone, the film runs about 100 minutes and was produced by Odak Film. It was shown at the 26th Antalya Golden Orange Film Festival and reached Turkish cinemas in early 1990. Family drama and love of animals are among its themes.

Olcay Hanım, played by Yıldız Kenter, is the granddaughter of an Ottoman pasha. Years earlier she lost her husband, a naval captain, in a sea accident. When she learns she has uterine cancer she begins to live in fear of death, but her real concern is something else: her cat, named after herself, is her only companion, and she does not know who will take it in after she is gone. Eşref Kolçak plays Necip Bey. The cast also includes Faruk Dilaver, Cem Özer, Pamira Bezmen, Baki Tamer, Orhan Çağman and Bahtiyar Engin.

Çetin Tunca was the cinematographer, and the music draws on works by Cemal Reşit Rey and Adnan Saygun. Refiğ won the best director award at the Golden Orange for the film, which placed third for best film. Yıldız Kenter was named best actress at the Corsica-Bastia Film Festival in 1989.

DirectorHalit Refiğ
Production companyOdak Film
Woman (Hanım) Woman (Hanım) Woman (Hanım) Woman (Hanım) Woman (Hanım) Woman (Hanım)

Reactions

You can pick up to 3 reactions.

Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Yıldız Kenter's performance alone is reason enough to watch this film. When the loneliness of Olcay Hanım, granddaughter of an Ottoman pasha, is told through her worry for her cat's future rather than her fear of death, a delicate sorrow emerges that touches the heart. Halit Refiğ's best director award at the Golden Orange is well earned, and the music drawn from works by Cemal Reşit Rey and Adnan Saygun lends the film a graceful dignity. A precious film for those who miss the refinement of the ladies of an older generation.

History & Society Lens Asks about the period, the social background and what the work reflects.

Through a lonely woman descended from an Ottoman pasha, Hanım offers a portrait that can also be read as the solitude of a once-elite generation in changed times. Olcay Hanım, who lost her husband in a sea accident years ago and now faces her illness, has only a cat for company: that detail shows simply how invisible old age and having no one can be in a society. Its pairing of family drama with love of animals strikes me as a notable sensitivity for the cinema of its day. The psychological tone is heavy and the storytelling stately; viewers wanting pace may struggle, but it says a great deal to anyone thinking about growing old.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A cat and the elderly lady who loves it: it sounds like a story children might enjoy. But the film deals with a serious illness and the fear of death, and its tone is quite sad. Young children may get bored or upset. It suits animal-loving teenagers and adults better. A good choice for a quiet evening with the grandparents.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments