Çöl

Çöl

Movie · 1983 · 6 people

Shot in colour on 35 mm and classed as an action picture with adventure and drama leanings, the Turkish film Çöl ("Desert") was directed by Çetin İnanç in 1983. It owes its reputation to the way its subject and several scenes echo the 1975 American thriller Jaws, which is why it is known around the world as "Turkish Jaws". Its listed genres also include "mockbuster", the label for productions made in the shadow of a popular foreign film.

Cüneyt Arkın, Emel Tümer and Salih Kırmızı head the cast. Arkın plays Kemal and Kırmızı plays Ali; Hüseyin Peyda is the Captain and Ali Demirel a police officer. Nejat Gürçen, Turgut Boralı, Baykal Kent, Feryal Feray, Murat İnanç, Osman Betin, Mehmet Uğur, İbrahim Kurt, Yılmaz Kurt, Sönmez Yıkılmaz, Oktar Durukan, Deniz Ünsal and Arap Celal complete the list. In the dubbing credits, Abdurrahman Palay voices Arkın, Gülen Kıpçak voices Tümer, Erhan Yazıcıoğlu voices Kırmızı and Timuçin Caymaz voices Peyda.

The screenplay was co-written by İnanç and Arkın, and Mehmet Karahafız produced. The film was made for Anıt Film and Tele Video, with dubbing and colourisation handled by Kunt Film. Sedat Ülker was the cinematographer, Necdet Tok the editor, Ahmet Gürkonak the production manager and Kunt Tulgar the sound recordist.

DirectorÇetin İnanç
Production companyAnıt Film

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Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Expecting tension on the level of the real Jaws from a film nicknamed "Turkish Jaws" would be unfair. Çöl's fun lies elsewhere: in watching a low-budget production try to rebuild a big Hollywood thriller with its own means. Cüneyt Arkın's action-hero presence is the real force carrying it. For anyone after pace and tension it is not a solid edge-of-your-seat film, but for genre fans it is a curiosity not to be missed.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Çöl recalls the reckless side of Yeşilçam that dared to shoot anything with whatever means were at hand. That Çetin İnanç and Cüneyt Arkın wrote the screenplay together is a small summary of that era's fast, collaborative way of making films. Having been shot in the shadow of a big foreign film may raise a smile today; but these films have a kind of innocence and an eagerness to entertain that today's glossy productions rarely have. Its artistic merit is debatable, yet it is an endearing document that carries the spirit of its time.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The "mockbuster" label is enough to describe Çöl: it borrows its subject and some of its scenes from the 1975 film Jaws and makes no claim to an original film language. Judging it on direction or editing would therefore be asking the wrong question. What is really interesting is how another film's structure is carried over into a different production culture, what the borrowed thriller template loses in this translation and what it rebuilds in its own way. Much of the cult status of Çetin İnanç's cinema comes from transfers of this kind. To be honest, though, the film struggles to stand on its own as a thriller; its value emerges in terms of film history, as a curiosity and an example of a period's practice.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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