Code Name: Tiger

Code Name: Tiger (Le Tigre aime la chair fraîche)

Movie · 1964 · 3 people

Claude Chabrol directed Code Name: Tiger (original title Le Tigre aime la chair fraîche, “The Tiger Loves Fresh Meat”), a French-Italian spy film from 1964. Counted among the Eurospy pictures of the 1960s, it was an attempt to build a French franchise to rival James Bond. The film was shot in French and runs about 90 minutes.

Roger Hanin stars as the agent Louis Rapière, who works under the code name “The Tiger”. Hanin also contributed to the screenplay, and Jean Halain is listed alongside Chabrol as a writer. The female lead is Daniela Bianchi, who had appeared in the Bond film From Russia with Love the year before. The cast also includes Stéphane Audran, Maria Mauban, Roger Dumas, Serge Bento, Albert Dagnant, Carlo Nell, Marcel Gassouk, Mario David, Dominique Zardi, Henri Attal and Michel Charrel. The story is a classic espionage adventure that pulls its hero into a dangerous mission.

The film makes no secret of its Bond connection: one scene shows the cover of Ian Fleming's novel From Russia with Love with Sean Connery's image on it. It drew enough interest for a 1965 sequel, Le tigre se parfume à la dynamite (English title Our Agent Tiger), which turned Rapière's adventures into a short-lived series.

DirectorClaude Chabrol

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Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A French answer to the sixties Bond craze, and it doesn't hide it. Roger Hanin's agent Louis Rapière, code name 'The Tiger', gets pulled into a dangerous mission in a classic spy adventure. It runs about 90 minutes, so it doesn't hang around. But by today's standards, expecting big action set pieces may leave you disappointed; it never reaches Bond's sparkle. A fun time capsule for genre fans.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

A Eurospy picture signed by Claude Chabrol looks like an unexpected pairing at first glance. The film came out of an attempt to build a French franchise to rival James Bond, and it stages that link openly: one scene shows Ian Fleming's From Russia with Love with Sean Connery on the cover. Casting Daniela Bianchi, known from the Bond film, as the female lead is part of the same move. That wink inevitably raises the question of how seriously the film takes itself. The result follows the genre's conventions closely, is ironic in places, but struggles to find a voice of its own. Roger Hanin's contribution to the script doesn't lift the character beyond the template either. Worth a look as a side road in Chabrol's filmography.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film is a small document of how strong the 1960s spy-film wave was. Bond's success spawned a trend in Europe known as Eurospy, and this production is France's attempt to create its own agent. Casting Daniela Bianchi, familiar from a Bond film, and showing Fleming's novel in one scene openly reveal the French-Italian industry's relationship with the popular culture Bond stood for: rivalry and imitation at once. The 1965 sequel shows the formula found an audience for a while, while the series' short life shows its limits. Interesting for anyone curious about the film economics of the era.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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