The Woman Who Drives You Crazy (Çıldırtan Kadın) (translated)

Movie · 1978 · 4 people

Çıldırtan Kadın, also listed as Sevmek mi Ölmek mi?, is a 1978 Turkish colour film. It is shown as a thriller and drama and also falls under the erotic-film heading, as it carries erotic elements. Çetin İnanç directed it and it reached cinemas in early 1979. İbrahim Mertoğlu produced it for Mert Film.

The story follows Gül Fırat, a happily married woman. In a quarrel stoked by her mother-in-law's baseless accusations she loses her child, is committed to a psychiatric hospital, and her husband Kemal goes to prison. Escaping the hospital, she ends up among fugitive convicts who prove to be her husband's old prison companions. Keywords tied to the film include beer, a woman, wrist-cutting, madness and gendarmes. Zerrin Egeliler plays Gül and Tarık Şimşek plays Kemal, with Turgut Özatay as Turgut, Ata Saka as Ata, İbrahim Kurt as İbo and Şeref Çokşeker as Kemal's mother.

The cast also lists Tülin Tan, Muzaffer Yenen (doctor), Ayten Koçak (nurse), Zafer Önen (boss), Cemil Akacan (director), Kamer Sadık and Yüksel Gözen (composer). Engin Temizer wrote the screenplay and Dinçer Önal shot it. Şimşek Işık Servisi supplied lighting under chief Ergün Şimşek, and dubbing voices include Ayşegül Devrim, Sadettin Erbil, Levent Dönmez, Erdoğan Esenboğa, Devrim Parscan and Gönül Ülkü.

DirectorÇetin İnanç
Production companyMert Film

Reactions

You can pick up to 3 reactions.

Cast

Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

This is not one for family viewing. It deals with heavy material: a woman who loses her child and is committed to a psychiatric hospital, escaped convicts, wrist-cutting. It also carries erotic elements and is classed as an erotic film. Don't put it on with children or teenagers around. Adults curious about this period of Yeşilçam can watch it on their own, but it isn't something for the whole household.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Bearing Çetin İnanç's name, Çıldırtan Kadın is a typical late-seventies picture that tries to boil thriller, drama and eroticism in one pot. The plot rests on a series of hard swerves, from a family quarrel to a psychiatric hospital and then into the company of fugitive convicts; that the escaped woman should run into precisely her husband's old prison companions shows how heavily the script leans on coincidence. The broad codes of melodrama leave little room for psychological depth, and the characters seem to move to the needs of the plot rather than their own motives. Still, it is an interesting specimen for anyone studying the genre blends of the period. For a film-history eye, its value as a document outweighs its artistic merit.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

For those who knew Yeşilçam in the late seventies, this film carries a familiar sadness. A happy marriage wrecked by a mother-in-law's baseless accusations is a well-worn vein of our old melodramas, and handled well it could have truly wrung the heart. Yet the prominence given to erotic elements overshadows the pain and moral weight the story might have carried. I would have liked to see the couple played by Zerrin Egeliler and Tarık Şimşek in a plainer telling. Anyone seeking the warmth of the classics may not find much of it here.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments