Ala Geyik

Fallow Deer (Ala Geyik) (translated)

Movie · 1969 · 3 people

Süreyya Duru directed Ala Geyik ("Fallow Deer"), a colour Turkish film made in 1969 and produced jointly by Erman Film and Acar Film. Film listings call it an adventure in some places and a drama in others; it mixes mountains, hunting, love and a struggle over power. The screenplay by Erdoğan Tünaş was compiled from Yaşar Kemal's book Üç Anadolu Efsanesi, and shooting took place in the mountains of Antalya. It runs about 90 minutes.

The hero is Halil, played by Cüneyt Arkın. His great love is his fiancée Zeynep (Mine Mutlu), his great passion hunting deer in the mountains. Neither his mother nor Zeynep can talk him out of it. While Halil is up in the mountains, Karaca Ali (Bilâl İnci), one of the region's ruthless beys, falls for Zeynep at first sight and, pressing the villagers, has her engaged to himself. Days later Halil returns, learns what happened and goes wild; he sets out to face Karaca Ali and win her back. But the passion that still drives him after the fallow deer leads to painful events. Sabahat Işık plays Halil's mother and Aliye Rona plays Sultan Ana.

The producers were Murat Köseoğlu and Hürrem Erman, the music is by Metin Bükey and the cinematographer was Orhan Kapkı.

DirectorSüreyya Duru
Production companyErman Film, Acar Film

Reactions

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Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Drawing on Yaşar Kemal's Üç Anadolu Efsanesi, Ala Geyik is one of those films that bring the epic flavour of Anatolian storytelling to the screen. Cüneyt Arkın's Halil, a man torn between his fiancée Zeynep and his passion for hunting in the mountains, is a fine example of Yeşilçam's proud hero. The scenes shot in the Antalya mountains feed the legend's atmosphere. Halil's stubbornness, deaf to the pleas of both his mother and Zeynep, gives the story a sorrow like that of old folk tales. Seasoned performers such as Sabahat Işık and Aliye Rona lend the film extra weight.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Mountains, a hunt, a ruthless bey and a hero who stands up to him to win back his fiancée: on paper, this is exactly my kind of film. Cüneyt Arkın's energy carries it, and the clash with Karaca Ali is a good source of tension. But remember it is from 1969; the pace is slow next to today's action films, and the drama side takes up a lot of room. The location shooting in the Antalya mountains is a real visual plus.

History & Society Lens Asks about the period, the social background and what the work reflects.

With a story compiled from Yaşar Kemal's Anatolian legends, Ala Geyik paints an interesting picture of power in the countryside. That Karaca Ali, one of the region's ruthless beys, can press the villagers into engaging Zeynep to him shows plainly how much weight the powerful carried over a community. Zeynep becoming the object of a power struggle between men also says something about a woman's place in that world. The film works through the conflict between personal passion and responsibility via Halil's love of the hunt. Though it gives in to melodramatic formulas at times, it is a notable attempt to bring legend and social reality together.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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