The Umbrella Coup

The Umbrella Coup (Le Coup du parapluie)

Movie · 1980 · 3 people

Gérard Oury directed Le Coup du parapluie, released internationally as The Umbrella Coup, a 1980 French comedy with crime elements. Running about 95 minutes, it is Oury's second collaboration with Pierre Richard after La Carapate. Oury wrote the screenplay with Danièle Thompson, and Gaumont produced. Pierre Richard, Gordon Mitchell and Gert Fröbe star.

Richard plays Grégoire Lecomte, a minor, womanising actor whose career is mostly advertising spots. Grégoire goes to a meeting for the part of a hitman in a comedy film, but through a mix-up he is hired by real mobsters as a contract killer. He believes the 'contract' he signs is still his role in the film. Sent to Saint-Tropez, he is expected to eliminate an arms dealer at a party with an umbrella whose tip holds cyanide. Meanwhile the real killer, Moskovitz, is already on his trail, unknown to Grégoire.

The film took its starting point from assassinations of Bulgarian dissidents carried out with the so-called Bulgarian umbrella, and its working title was Le Coup du Parapluie Bulgare. It was shot at the Épinay Studios and on location around Paris, with sets by Jean André. Valérie Mairesse, Gérard Jugnot, Maurice Risch, Dominique Lavanant, Christine Murillo and Vittorio Caprioli are also in the cast.

DirectorGérard Oury
Production companyGaumont Yapımevi

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Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A largely light comedy starring Pierre Richard. The story of an actor hired by real gangsters as a hitman through a contract he thinks is for a role may well amuse children too. But it is built around an assassination plot and an umbrella with a poisoned tip, and the hero is a womaniser. So it suits middle-schoolers and up rather than little ones. A good choice for families after an easy laugh.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Great premise: an actor who thinks he's making a film gets hired as a hitman by real gangsters, while the real killer, Moskovitz, is already on his trail. A party in Saint-Tropez, an umbrella with cyanide in the tip... everything's set up for suspense. But the film would rather make you laugh than sweat, so anyone hoping for a hard-edged crime movie may be let down. If you like comedy, it's fun.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Comedy born of mistaken identity is a well Yeşilçam drew from often, and this film is a French and rather elegant example of the tradition. Gérard Oury and Danièle Thompson's script turns the plight of an actor who lives off commercials, and who stumbles into a real criminal world through a contract he takes for a role, into an entertaining chain of mix-ups. Pierre Richard's blissfully unaware innocence is endearing. Still, the hero's womanising looks like a rather dated source of jokes to today's eyes; in comedies like this I look for a touch more warmth, a touch more heart.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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