The Train (film, 1964)

The Train

Movie · 1964 · 4 people

John Frankenheimer's war and action film The Train was made in black and white in 1964. It is a joint American, French and Italian production for United Artists, starring Burt Lancaster, Paul Scofield and Jeanne Moreau, with Michel Simon in support. It won critical acclaim and grossed 6.8 million dollars. It was nominated for the Academy Award for Best Original Screenplay in 1966.

The story takes place in August 1944, during World War II. German Colonel Franz von Waldheim (Paul Scofield) tries to carry priceless paintings plundered from French museums and private collections to Germany by rail. Opposing him is the railwayman and Resistance member Paul Labiche (Lancaster), who with his colleagues risks his life to stop the cargo. Franklin Coen, Frank Davis and Walter Bernstein wrote the screenplay, loosely based on Rose Valland's book Le front de l'art on stolen artworks. The interception scenes drew on train No. 40,044, seized outside Paris.

Arthur Penn began as director but was replaced by Frankenheimer three days into shooting. Real trains and stations were used, with help from French railwaymen and the army. Lancaster did his own stunts, and one view ranks the film among the fifteen best works of his career. Maurice Jarre wrote the music and Jules Bricken produced.

DirectorJohn Frankenheimer, Arthur Penn
Production companyUnited Artists

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Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Do not skip it just because it is black and white. Real trains, real stations and Burt Lancaster doing dangerous scenes without a double add up to tension far more tangible than today's effects. On one side a German colonel trying to ship the paintings to Germany, on the other a Resistance willing to risk their lives to stop him. The stakes are clear and the sides are drawn. Some stretches may feel slow by today's standards, but the fight on the rails still grips.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film reminds us that war can target not only human lives but a country's cultural memory. The attempt in August 1944 to ship paintings looted from French museums and private collections to Germany by train is loosely based on Rose Valland's book documenting the stolen works, and the train scenes draw on train no. 40,044, seized near Paris. The thought-provoking question is this: why would a railwayman risk his life for paintings he might never stand in front of? It adds an interesting layer about class and culture. That French railway workers and the army supported the shoot also shows how close the film stays to this history.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A war and action film set in the Second World War; scenes full of fighting and danger come with the territory, so it is not for young children. Being black and white may also lose kids' attention quickly. But it is a good pick for teenagers who like history: it is about people who take risks to protect works of art. Grown-ups who enjoy old films will like it too. Suitable from about age twelve up.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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