The Tall Blond Man with One Black Shoe

The Tall Blond Man with One Black Shoe (Le Grand Blond avec une chaussure noire)

Movie · 1972 · 15 people

Le Grand Blond avec une chaussure noire (The Tall Blond Man with One Black Shoe) is a 1972 French spy-film parody directed by Yves Robert. It runs about 91 minutes and has a score by Vladimir Cosma. Made under the Gaumont banner, it won the Silver Bear at the 1973 Berlin Film Festival and, for its popular success in Germany, the Goldene Leinwand in 1976.

The story centres on the naive, bumbling violinist François Perrin, played by Pierre Richard. Seen at an airport with one black shoe, he is mistaken for a secret agent by intelligence chiefs locked in an internal feud. Watched, bugged and dragged into their power struggle without knowing it, Perrin keeps slipping out of danger. Bernard Blier, Jean Rochefort, Mireille Darc, Jean Carmet and Robert Dalban are among the cast.

Robert wrote the script with Francis Veber, loosely inspired by the autobiographical book La Cinquième Corde by the Israeli violinist Igal Shamir. It was Richard's first turn as Veber's emblematic character, which he played six more times. A sequel, The Return of the Tall Blond Man, followed in 1974, and Stan Dragoti remade the story in 1985 as The Man with One Red Shoe, with Tom Hanks.

DirectorYves Robert
Production companyGaumont Yapımevi

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Cast

Only cast members with a profile on this site are listed.

Robert Castel Robert Castel Actor · died at 87 Robert Dalban Robert Dalban Actor · died at 83 Pierre Richard Bernard Blier Jean Rochefort Mireille Darc Jean Carmet Arlette Balkis Bernard Charlan Claudine Beccarie Colette Castel Gérard Majax Jean Obé Jean Saudray Marcel Gassouk

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Pierre Richard's naive, bumbling violinist is one of the most endearing examples of an old comedy tradition that raises a smile without resorting to loud slapstick. The scheming belongs to the intelligence chiefs, the innocence to François Perrin, who has no idea what is happening around him, and that contrast brings to mind the guileless heroes we loved in Yeşilçam. Vladimir Cosma's score complements the film's lightness beautifully. Richard returning to Veber's emblematic character six more times, and the story inspiring a remake with Tom Hanks, shows that its half-century of life is no accident.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Anyone expecting a standard thriller from a spy parody may be a little surprised. The excitement here comes not from guns but from the hero not even realising he's in danger. The machinery of surveillance, bugging and the chiefs' power struggle is well built, and the roughly ninety-minute runtime leaves no room to sag. Too light if you want real tension, but a film that mocks the genre's clichés this cleverly is fun.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A comedy grown-ups and children can laugh at together. The humour comes from what happens to a clumsy violinist who doesn't understand what's going on around him, and children can easily follow that kind of comedy. Still, the spy games and the chiefs' power struggle may confuse little ones, not to mention the romantic intrigue. It's more enjoyable with teenagers. Sit down knowing it's an old film.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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