Les Anges gardiens

Les Anges gardiens

Movie · 1995 · 3 people

Jean-Marie Poiré directed the 1995 French comedy Les Anges gardiens (Guardian Angels), which mixes action, crime and a light fantastical streak. It throws together two opposite men who are linked, against their will, through their guardian angels. Produced by Gaumont, it was France's most expensive film of its year. It drew around 5.7 million cinema-goers, finishing second at the French box office behind Les Trois Frères, and with $39.1 million it was the highest-grossing non-English-language film of 1995.

Gérard Depardieu plays Antoine Carco, a selfish reformed crook. He agrees to fly to Hong Kong and bring back the orphaned son of a smuggler friend, but his real aim is the 15 million dollars in treasury bonds the boy's father stole from the Chinese triads. Christian Clavier plays Hervé Tarain, a naive, kind-hearted priest on his way home from an educational trip with a group of troubled French teenagers. On the journey from Hong Kong to Paris, both men have to face their consciences. The cast also includes Julien Courbey, Yves Rénier, Eva Herzigová, François Morel and Dominique Marcas.

Poiré made the film between Les Visiteurs and its sequel, and wrote the screenplay with Clavier.

DirectorJean-Marie Poiré
Production companyGaumont Yapımevi

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Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

On paper it looks like an easy family comedy, but it isn't quite that. The story involves smugglers, the Chinese triads and stolen treasury bonds, so the crime world is very much in the foreground. It may be a bit muddled for small children. Teenagers and adults will enjoy watching two opposite men wrestle with their consciences, and the guardian-angel idea adds a sweet touch. Best watched with kids in their teens.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Made by Poiré between Les Visiteurs and its sequel, this film visibly carries the weight of being France's most expensive production of its year. The road-movie skeleton from Hong Kong to Paris is solid: two opposite characters, an orphaned boy and a fortune worth chasing. In the script, co-written with Clavier, the guardian-angel device is a productive way to stage the two men's reckoning with their consciences. The trouble is that a conceit like this tends to repeat itself once you've grasped it, and the loud, exaggerated register of the humour leaves little room for subtlety. The Depardieu-Clavier contrast carries the film, but the blend of action, crime and fantasy never quite fuses into a whole. Around 5.7 million admissions prove the formula works; as cinema, I would have wanted a bolder piece of storytelling.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Hong Kong, the triads, 15 million dollars in treasury bonds and a smuggler's son... On paper it's a full-on action-crime setup. But the film really runs on comedy, so anyone expecting chases and tension may feel the pace sagging in places. Still, the trip from Hong Kong to Paris keeps things moving, and the clash between two opposite men keeps the energy up. Perfectly fine for a light evening.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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