If You Meet Sartana Pray for Your Death

If You Meet Sartana Pray for Your Death (...Se incontri Sartana prega per la tua morte)

Movie · 1968 · 15 people

The first film in the series built around the character Sartana, the 1968 spaghetti western If You Meet Sartana Pray for Your Death was released in Italy as Se incontri Sartana prega per la tua morte. Italy, France and Germany co-produced it, shooting in Italian, and it runs about 95 minutes. Gianfranco Parolini directed it under the pseudonym Frank Kramer, and he wrote the screenplay with Renato Izzo.

The story centres on Sartana, a mysterious gunfighter played by Gianni Garko, who is drawn into an intrigue of gold, greed and mutual betrayal. William Berger, Fernando Sancho and Klaus Kinski appear alongside him, and the wider cast includes Sydney Chaplin, Sal Borgese and Gianni Rizzo. Piero Piccioni composed the score.

Four official sequels followed: Sono Sartana, il vostro becchino (1969) and, all in 1970, Buon funerale, amigos!... paga Sartana, Una nuvola di polvere... un grido di morte... arriva Sartana and C'è Sartana... vendi la pistola e comprati la bara. George Hilton replaced Garko in the fourth. Giuliano Carnimeo directed the sequels, while producer Alberto Grimaldi picked Parolini for the Sabata trilogy after seeing his work here. As with Django, directors such as Demofilo Fidani made unofficial follow-ups to cash in. The German-language premiere took place on 22 August 1969.

DirectorGianfranco Parolini

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Cast

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Sal Borgese Sal Borgese Actor · 89 years old Gianni Rizzo Gianni Rizzo Actor · died at 67 Gianni Garko William Berger Fernando Sancho Klaus Kinski Sydney Chaplin Andrea Scotti Carlo Tamberlani Gianfranco Parolini Franco Pesce Maria Pia Conte Emilio Messina Gilberto Galimberti Sabine Sun

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A mysterious gunfighter, gold, greed and a game where everyone betrays everyone: every piece of the spaghetti western formula is here. Sartana is a cool lead, and the supporting cast gets colour from names like Klaus Kinski. But the intrigue changes hands so often that keeping track of who sold out whom sometimes drags on the pace of the showdowns. A solid starting point for genre fans.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The first Sartana film lays bare the genre's commercial logic: a successful figure is created, then come official sequels and unofficial copies riding on them. The style Parolini built here was strong enough for producer Grimaldi to pick him for the Sabata trilogy, which suggests the film worked as a calling card within the industry. The script's chain of betrayals, however, is structurally messy; characters switch sides to serve the plot more than their own motives. Piero Piccioni's score is a key element carrying the atmosphere. Interesting for genre history, but next to the genre's best it is a more mechanical western.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

This is a spaghetti western, built around a gunfighter, lust for gold and betrayal. Gunfights and deaths are common in this genre, so it isn't the right choice for watching with young children. It can suit grown-ups and teenagers who like westerns. Don't expect a kind-hearted hero or a warm family message here; everyone is chasing their own interest.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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