Up to His Ears

Up to His Ears (Les Tribulations d'un Chinois en Chine)

Movie · 1965 · 3 people

A 1965 French-Italian co-production mixing adventure with comedy, Up to His Ears is known in French as Les Tribulations d'un Chinois en Chine. Produced by Vides Cinematografica, it runs about 110 minutes. On release it found a genuine popular audience, although it did not reach the level of success of L'Homme de Rio, the earlier Belmondo film by the same director, released a year before. In Germany it was shown as Die tollen Abenteuer des Monsieur L. and was later distributed again as Belmondo - Das Rauhbein.

The film is a loose adaptation of Jules Verne's 1879 novel rather than a faithful retelling. Jean-Paul Belmondo and Ursula Andress share the lead roles, with Darry Cowl, Jess Hahn, Jean Rochefort, Maria Pacôme, Paul Préboist, Valérie Lagrange, Mario David and Valéry Inkijinoff in the cast. Gil Delamare handled the stunt work.

Philippe de Broca directed and wrote the screenplay with Daniel Boulanger. Because it reunited many members of the team behind L'Homme de Rio, the production is regarded as an indirect sequel to that film.

DirectorPhilippe de Broca
Production companyVides Cinematografica

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Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Belmondo, adventure and comedy, plus stunt work handled by Gil Delamare: on paper that mix promises a fast, fun ride. Having Ursula Andress in the lead too adds extra colour to the cast. Around 110 minutes may feel a bit long for this kind of film, but for fans of Philippe de Broca's brand of adventure comedy it is a lively pick.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A film that mixes adventure and comedy, loosely adapted from a Jules Verne novel, so it looks like an appealing choice for the family. The stunt-filled action may well win over older children. It runs about 110 minutes, which can be a bit long for little ones. Made in 1965, it may also feel different to kids used to today's fast films.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Because it reunited much of the team behind L'Homme de Rio, released a year earlier, Philippe de Broca's film is regarded as an indirect sequel, and that is exactly where the trouble starts. The screenplay, co-written with Daniel Boulanger, does not stay faithful to Jules Verne's 1879 novel but turns it into a loose adventure-comedy frame. That freedom may help the pace, yet it also strengthens the sense of a formula being repeated. On release it found a genuine popular audience but fell short of its predecessor's success, which suggests the familiar recipe struggled to land the same way twice. Belmondo's energy and Gil Delamare's stunt work look like the film's most reliable assets.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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