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Evlilik Güzeldir

Evlilik Güzeldir

TV Series · 2026 · 31 people

Evlilik Güzeldir is a family comedy-drama that began on TRT 1 on September 7, 2026, and airs on Monday evenings. It is produced by Greative Film, directed by Şafak Bal and Serap Danış Koçak, and written by Hasan Kaçan, Hasan Tolga Pulat and Seçil Çömlekçi. The directing team was reported to have changed during production.

Fikret Kuşkan plays Mesut Bahtiyar. Of his daughters, Hande Soral plays Zeynep, İlayda Alişan plays Yasemin, Nil Sude Albayrak plays Aslı, Cansu Savcı plays Nergis and Feride Bağ plays the youngest, Bahar. Seçkin Özdemir plays Murat Akın, Yusuf Çim plays the divorce lawyer Can Ateş, Berk Bakioğlu plays Yasemin's boyfriend Sinan Çekirgeli, and Yıldız Kültür plays Mesut's mother Safiye.

Mesut Bahtiyar is a marriage registrar who has married more than a hundred thousand couples. He lives in an old Istanbul neighborhood, yet none of his five daughters is married. Zeynep, who looks after her sisters, still carries the memory of Murat, who left her years ago and has come back to the area. The romantic Yasemin has not yet introduced Sinan, her boyfriend of three years, to her father. Aslı, a creative director, agrees to pose as Can's girlfriend after a lie at work. Nergis grows close to Sezai, a tax inspector she meets at work, and the free-spirited Bahar gets involved with Diyar.

DirectorŞafak Bal, Serap Danış Koçak
Production companyGreative Film
NetworkTRT 1

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Cast

Fikret Kuşkan Fikret Kuşkan Actor · 61 years old Mesut Bahtiyar Hande Soral Hande Soral Actor · 39 years old Zeynep Bahtiyar İlayda Alişan İlayda Alişan Actor · 30 years old Yasemin Bahtiyar Seçkin Özdemir Seçkin Özdemir Actor · 45 years old Murat Akın Yusuf Çim Yusuf Çim Actor · 35 years old Can Ateş Nil Sude Albayrak Aslı Bahtiyar Ferit Aktuğ Ferit Aktuğ Actor · 47 years old Ali Rıza Kabarık Berk Bakioğlu Sinan Çekirgeli Gözde Okur Gözde Okur Actor · 46 years old Saadet Bahtiyar Sera Tokdemir Sera Tokdemir Actor · 45 years old Ayşe Akgül Anıl Çelik Anıl Çelik Actor · born 1988 Servet Sarayönü Hazım Körmükçü Ant Çekirgeli Cansu Savcı Nergis Bahtiyar Hande Katipoğlu Aycan Çekirgeli Öznur Ön Neriman Kabarık Derda Yasir Yenal Tayfun Akmeşe Uğur Akay Yaman Selin Soydan Melek Yener Hayal Garip Selda Alper Haliloğlu Sezai Güzgülü Sıla Gözüm Hilal Feride Bağ Bahar Bahtiyar Alihan Demirbilek Diyar Uğraş Anastasiia Geptina Vera Efe Özulus David Yıldız Kültür Actor · 81 years old Safiye Bahtiyar Ali Rıza Kubilay Aziz Ziya Nurkan Törün Nalan Bayazıt Gülercan Antikacı Galip Sedat Anar Emre Bey Emre Bey Actor · 29 years old Efe

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Through different eyes

AI-assisted editorial takes written from different viewer perspectives. They are not reader reviews; those are below.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

This looks like a light, warm family comedy that suits a Monday evening at the table. It is about marriage, sisters and a father and his daughters, and it does not promise heavy violence or a harsh story. Five daughters mean five different love troubles, so viewers of every age may find someone familiar. Divorce and strained relationships are touched on too, but nothing suggests a serious problem for watching with younger children. The series is still new, though, so it is early to judge where it goes.

History & Society Lens Asks about the period, the social background and what the work reflects.

It is a neat irony that no daughter is married in the home of a man who has registered more than a hundred thousand weddings. More interesting is that the series wraps a social expectation, marriage as the measure of family life, in a comic frame. Zeynep as the elder sister watching over the others, Yasemin hesitating to introduce her boyfriend to her father, Aslı pretending to be someone's girlfriend after a workplace lie: each is a small example of the tension between tradition and personal choice. It is too early to say whether the series will question that expectation, but the ground is promising.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Five daughters, one father, two directors and three writers: the structure is crowded, with a separate romantic strand for each sister. That can give a comedy its rhythm, but carrying five stories at once risks leaving each one on the surface. The fake girlfriend, the hidden boyfriend and the ex who returns are pieces of a familiar formula. The directing team was reported to have changed during production, and whether that shows in the coherence of the storytelling will become clear in the coming weeks. For now the material is warm, but it seems to use known patterns more than it says anything new.

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