Dobermann

Dobermann

Movie · 1997 · 15 people

With a strong streak of black humour, the French crime action film Dobermann was brought to the screen by director Jan Kounen. The script, written by Joël Houssin himself, draws on his Le Dobermann series of police novels. It opened in France on 18 June 1997 and in Turkey on 16 January 1998. It runs 103 minutes.

The hero is Yann Le Pentrec, known as Dobermann, played by Vincent Cassel. He leads a crew that hits banks and armoured vans, working for the adrenaline as much as the money, earning him comparisons to a modern Robin Hood. The gang includes his deaf partner Nat, short for Nathalie (Monica Bellucci), her brother Manu, Pitt Bull, who storms luxury shops with an axe, Moustique and Sonia. As Dobermann prepares a huge bank job, Commissioner Sauveur Cristini closes in. Played by Tchéky Karyo, this sadistic, obsessive policeman ignores the rules, internal affairs and paperwork, and goes after the gang with Inspector Baumann. As savage as the criminals he chases, Cristini wants to destroy Dobermann rather than arrest him. Romain Duris is also in the cast.

Its harsh violence made it controversial: in Germany it was placed on the list of media harmful to minors in July 1999, and the uncut version went on sale only in April 2011.

DirectorJan Kounen
Production companyCanal+

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Cast

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Tchéky Karyo Tchéky Karyo Actor · died at 72 Monica Bellucci Monica Bellucci Actor · 62 years old Vincent Cassel Romain Duris Antoine Basler Chick Ortega Dominique Bettenfeld Florence Thomassin François Levantal Gaspar Noé Marc Duret Pascal Demolon Patrick Rocca Roland Amstutz Stéphane Metzger

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Bank and armoured-van heists, a gang member who storms luxury shops with an axe and a commissioner who ignores every rule: Dobermann is a crime film built for people who like their action hard and over the top. The black humour softens the brutality a little. But be warned: it was violent enough to land on Germany's list of media harmful to minors. Not the place to go for a gentle heist movie.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Jan Kounen's film brings out the most interesting structural choice in the script Joël Houssin wrote from his own crime novels: making Commissioner Cristini more savage than the criminals he hunts. The line between the law and the outlaw is deliberately erased, and the modern Robin Hood label pinned on Dobermann is part of that moral blur. But the choice comes at a price: in a world where everyone is excessive, there is no character for the audience to hold on to, and the mix of black humour and harsh violence at times turns the storytelling into a show-off contest. A bold and distinctive genre exercise, but its depth lags behind its energy.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

For eyes raised on the classics, Dobermann is a tough film. Its hero is a gang leader who robs for the thrill as much as the money, and the policeman facing him is even more ruthless; there is no moral centre to take shelter in. Its black humour is closer to cold mockery than a warm smile. Those who love the old crime films' firm line between good and evil will find this world remote. It may gather strong names like Vincent Cassel, Monica Bellucci and Tchéky Karyo, but this is a film for genre fans, not for viewers looking for heart and story.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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