Ulysses

Ulysses (Ulisse)

Movie · 1954 · 15 people

Homer's Odyssey is the source of Ulisse (Ulysses), a sword-and-sandal fantasy adventure from 1954 that Mario Camerini directed. Italy, France and the United States joined forces on it as an international co-production, with Dino De Laurentiis and Carlo Ponti producing for Lux Film. Camerini wrote the script with Franco Brusati; seven writers worked on it, among them Ben Hecht and Irwin Shaw. After its Italian premiere on 6 October 1954, Paramount Pictures released it in the United States a year later, which is why it is often dated 1955.

Kirk Douglas plays Odysseus, king of Ithaca. Silvana Mangano takes a double role, as his faithful wife Penelope and as the enchantress Circe. Anthony Quinn plays Antinous, Penelope's suitor, and Rossana Podestà is Nausicaa. The film follows the epic fairly closely, though events were condensed, cut or rearranged to fit about a hundred minutes.

Georg Wilhelm Pabst was the first choice to direct, but he handled only the preparation and withdrew at the last moment, leaving the work to Camerini. Cinematographer Mario Bava helped direct the Cyclops sequence. The Technicolor photography is by Harold Hal Rosson, and the critic John Eames rated it above the average Italian epic of the period. It was Italy's top box-office film of the 1954-55 season.

DirectorMario Camerini, Mario Bava
Production companyLux Film

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Cast

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Silvana Mangano Silvana Mangano Actor · died at 59 Benito Stefanelli Actor · died at 71 Kirk Douglas Anthony Quinn Rossana Podestà Sylvie Franco Interlenghi Elena Zareschi Evi Maltagliati Tania Weber Alessandro Fersen Gualtiero Tumiati Teresa Pellati Mario Feliciani Marisa Allasio

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Ulysses tries to squeeze Homer's sprawling, episodic epic into roughly a hundred minutes of sword-and-sandal spectacle, and the cost shows: condensed and reshuffled events turn the poem's episodes into a string of hurried stops. Against that, giving Silvana Mangano both Penelope and Circe is, in my view, the film's smartest script decision; putting fidelity and temptation in the same face gives the voyage a visual inner voice. Harold Rosson's Technicolor photography and the Polyphemus sequence Mario Bava helped shape also explain why the film stands apart from the average Italian epic of its day.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

An old-fashioned adventure for families who want to make mythology appealing. Odysseus, his faithful wife Penelope and the enchantress Circe connect with stories children hear at school. But it is a very old film; its pace and acting style may feel heavy to today's kids. A good starting point for talking about the epic together, just don't treat it as a children's film on its own.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Kirk Douglas, Polyphemus and a colourful mythological voyage: on paper, a full adventure package. Condensing the events actually helps the pace, in my view, since the epic's slower stretches are trimmed away. But for anyone used to modern effects, even the giant's scenes will look like handmade spectacle. If you enjoy that old-school flavour, it is a fun ride.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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