Ölürayak

Deadfoot (Ölürayak) (translated)

Movie · 1990 · 7 people

Aydın Bağardı directed Ölürayak ("Deadfoot"), a Turkish drama, in the early 1990s. Filed under emotional drama, it centres on the meeting of two people who have both come to the edge of death. It runs 84 minutes and was shot in colour. Its starting point is that two people who would never normally have crossed paths, or who would have passed each other without noticing, are brought together at the most fragile moment of their lives.

The leads are Ela and Ömer, a woman and a man from two different worlds and two different pasts. They meet at a point where the usual rules, promises and obstacles no longer count, and they set about rediscovering life. They share fear, friendship and anger, and perhaps love too. In a life with no tomorrow, today becomes more precious than anything. Haluk Bilginer plays Ömer and Meral Oğuz plays Ela; Suna Selen is Ela's mother and Nüvit Özdoğru is Ömer's father. Arif Pişkin (Sedat), Erol Demiröz (Semih), Filiz Taçbaş (Aysel) and Yaman Tarcan are also in the cast.

The screenplay is by Ayşenur Arslan, the producer was Hüseyin Apaydın, the music is by Cem Küçümen and the cinematography by Serdar Servidal. The production company was Tele Video.

DirectorAydın Bağardı
Production companyTele Video

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Aydın Bağardı's 84-minute film rests on a spare two-hander that brings together Ela and Ömer, two strangers on the threshold of death. A set-up like this puts all the weight on acting and dialogue, so the exchange between Haluk Bilginer and Meral Oğuz is the film's real test. Ayşenur Arslan's script draws an emotional ladder from fear to friendship, from anger to perhaps love. The risk is that the rungs are climbed too neatly, almost schematically, so you can sense the next feeling coming. Serdar Servidal's cinematography and Cem Küçümen's music have to carry that intensity. The short running time, though, spares it any padding and lets it hold on to its central idea: two people with no tomorrow, living only today.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

An emotionally heavy drama about death and loss. This is not one to watch with children; both the subject and the feelings are too intense for little ones. For older teenagers and adults, though, it can be a story that makes you think about what life is worth. Keep tissues close and leave time to talk afterwards.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Ölürayak, whose very title tugs at you, is about two people with no tomorrow rediscovering today. It takes the grand emotions our old melodramas loved, fear, friendship, anger and perhaps love, and handles them in a more mature, simpler frame. Alongside Haluk Bilginer and Meral Oğuz, Suna Selen and Nüvit Özdoğru as the parents lend the cast extra weight. For an eye raised on the classics, a story about death that chooses to celebrate life rather than surrender to gloom is something precious.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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