Joan Lui

Joan Lui (Joan Lui - Ma un giorno nel paese arrivo io di lunedì)

Movie · 1985 · 3 people

Adriano Celentano, the Italian singer and actor, both directed and starred in Joan Lui (full title Joan Lui - Ma un giorno nel paese arrivo io di lunedì), a 1985 musical comedy. Celentano also wrote the screenplay, edited the film, composed the music and sang the songs himself. Cecchi Gori Group produced it. It runs about 163 minutes and opened in Italy on 25 December 1985.

The story brings the second coming of Jesus Christ into the present day. Joan Lui, a singer who stands against the hypocrisy of Western culture, gathers young musicians to spread his message, and songs written and performed by Celentano carry the narrative. Alongside Celentano, the cast includes Claudia Mori, Marthe Keller, Haruhiko Yamanouchi, Sal Borgese, Francesco Salvi and Romano Puppo.

It was the fourth and last of the films Celentano wrote, directed and starred in, and the last film of Claudia Mori, who ended a 26-year acting career with it. The French coordinator Rémy Julienne handled the stunts. At roughly 20 billion lire it was one of the costliest productions in Italian cinema, with production and distribution problems. By the end of the 1985-86 season it ranked 23rd at the Italian box office, and it did better with audiences in Germany and the Soviet Union.

DirectorAdriano Celentano
Production companyCecchi Gori Group
Joan Lui (Joan Lui - Ma un giorno nel paese arrivo io di lunedì) Joan Lui (Joan Lui - Ma un giorno nel paese arrivo io di lunedì)

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Written, directed, edited, scored and headlined by Adriano Celentano, Joan Lui carries both the courage and the danger of one-man creative control. Bringing the second coming of Christ into the present day is an ambitious idea, and its critique of Western hypocrisy is worked into the narrative through the songs. But roughly 163 minutes is far too long for such a slender story skeleton. With Celentano also doing the editing, the need for an outside eye is obvious; scenes are often allowed to run longer than they need to. The big budget and Rémy Julienne's stunt work enlarge the visual scale, yet the film plays like a sprawling show. A curious oddity rather than a coherent work.

History & Society Lens Asks about the period, the social background and what the work reflects.

Joan Lui, from the mid-eighties, reimagines a religious figure as a contemporary singer in order to take aim at the hypocrisy of Western culture. Having the message spread by a pop star and a band of young musicians offers an interesting idea about the link between that era's music culture and social critique. It is also telling that the film closed the season 23rd at the Italian box office yet found more interest among audiences in Germany and the Soviet Union, which suggests the same critique landed differently in different societies. Viewers sensitive about religious themes may find it controversial; even so, it is a valuable document for reading the concerns of its time.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

With Rémy Julienne running the stunts you expect some lively set pieces, but Joan Lui is basically a musical. The songs carry the story and the action stays in the background. The real problem is the running time: 163 minutes is heavy going for a film built mostly on songs. Unless you are a Celentano fan, your patience will be tested. If you are curious, think about splitting it over two sittings.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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