İki Başlı Dev

Two-Headed Giant (İki Başlı Dev) (translated)

Movie · 1990 · 4 people

Orhan Oğuz directed İki Başlı Dev ("Two-Headed Giant"), a Turkish drama from 1990. Shot in colour on 35 mm, it won the Best Director award at the 10th International Istanbul Film Festival. It is also known as the first film in which Cüneyt Arkın acted with his own voice. Centred on family, it turns to a tension between father and son.

The story starts with a father whose life is framed by strict rules and principles. Wanting to raise his son in his own image, he keeps him behind a wall of pressure against the outside world. A young girl suddenly enters this order and turns the lives of father and son upside down. She draws the young man out of his father's oppressive world and introduces him to freedom and love. Cüneyt Arkın plays Cengiz Özkan, Fikret Kuşkan Hakan Özkan, Sedef Ecer Aslı and Meral Çetinkaya Hafize. Sedef Bediz, Fuat İşhan, Hikmet Kemerdere, Arzu Şen and Burak Ayral are also in the cast.

The screenplay is by Nuray Oğuz and the producer was Eriş Akman; Orhan Oğuz also shot the film. The music is by Paul Buckmaster and Dağhan Baydur, and the production company was Eks Film.

DirectorOrhan Oğuz
Production companyEks Film

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Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

After hearing Cüneyt Arkın through other people's voices in film after film, hearing him in his own voice for the first time is an event in itself. The part is unusual too: a father trying to raise his son behind a wall of strict rules and principles. The tension between father and son takes on a whole new colour when a young woman enters their lives. The film earned Orhan Oğuz the Best Director of the Year award at the Istanbul Film Festival, and Paul Buckmaster and Dağhan Baydur's score makes it worth remembering as well. For anyone curious about how our cinema was changing on the threshold of the nineties.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A family drama about a father and son. There is a domineering father and a son who discovers freedom through a young woman. It is a subject parents and teenagers can watch together and talk about afterwards; it makes you think about overprotectiveness. It may feel heavy and dull for small children. Since there is a love story too, it makes more sense with kids in their teens.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film asks a pertinent question about the family structure of 1990, when it was made: where does a father's authority end and a child's own life begin? The father who keeps his son behind a wall against the outside world stands for the patriarchal family's face that swings between protection and oppression. It is telling that the one who upsets this order is a young woman; freedom and love are drawn as influences arriving from outside the home. My reservation is that the set-up may lean too heavily on symbols: a title like The Two-Headed Giant already invites allegory and risks turning the characters into ideas rather than individuals. Even so, it is a valuable document for understanding the generational conflict of its time.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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