Trans-Europ-Express

Trans-Europ-Express

Movie · 1966 · 3 people

Trans-Europ-Express is a 1966 black-and-white French-Belgian co-production made by Alain Robbe-Grillet from his own screenplay. Counted among experimental cinema, it runs about 94 minutes and is spoken in French and Dutch. It takes its name from the Trans Europ Express, the international rail network that then linked European cities. It was released in France in 1967 and reached German-speaking cinemas on June 29, 1967. The director also appears in the film.

The structure has two layers. In the frame story, a film crew devises a plot for a new film on a train to Antwerp. Their invention becomes a film within the film, following Elias, a novice smuggler carrying cocaine from Paris to Antwerp, and a prostitute. The story does not stay within its authors' outline: the creators can only partly steer events, while the characters sometimes go their own way. Jean-Louis Trintignant and Marie-France Pisier play both the film's characters and themselves, often slipping between the two unnoticed. Catherine Robbe-Grillet, Charles Millot, Christian Barbier and Daniel Emilfork are also in the cast.

The film weaves together experimental cinema, crime fiction, thriller, black comedy and melodrama, with elements of eroticism, bondage imagery, paradox and prank.

DirectorAlain Robbe-Grillet

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Alain Robbe-Grillet's film is an experiment that puts the building of a story up for debate right in front of the viewer. Cutting between a crew dreaming up a new film on a train and the smuggling plot they invent turns the relationship between author and character into a game, and the moments when the characters go their own way are its most enjoyable part. Having Jean-Louis Trintignant and Marie-France Pisier play both their roles and themselves is a clever device that crosses the line without your noticing. The black-and-white images set up a cool but deliberate distance. The trouble is that, while showing off its intelligence, the film leaves little room for pleasure; swinging between crime story, black comedy and eroticism, it sometimes gets lost in its own game. Still a valuable work for viewers interested in form.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Cocaine smuggling, a train ride from Paris to Antwerp... It sounds like a great thriller, but it is not one. The film keeps stopping to cut back to the crew making up the story, and things fall apart just as they heat up. It is clearly a deliberate game; still, for anyone after suspense it keeps you at arm's length. I will leave this one to fans of experimental cinema.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

This film is not suitable for families. There is erotic content and bondage imagery, and the plot revolves around drug smuggling and a prostitute. On top of that, it is confusing: a story is told inside another story, and even adults may struggle to follow it. One for adults interested in experimental cinema, not for watching with children or grandparents.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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