The Virtuous Bigamist

The Virtuous Bigamist (Sous le ciel de Provence)

Movie · 1956 · 15 people

A French-Italian comedy-drama from 1956, The Virtuous Bigamist came from director Mario Soldati. It is known in France as Sous le ciel de Provence or Quatre pas dans les nuages, in Italy as Era di venerdì 17 and in Germany as Vater wider Willen. The comedian Fernandel takes the lead. The picture is the first remake of Alessandro Blasetti's 1942 Italian classic Quattro passi fra le nuvole (Four Steps in the Clouds), whose central role was played by Gino Cervi. German film criticism calls this version a loving, warm-hearted comedy.

The story centres on Paul, a travelling salesman stuck in a joyless marriage. While on the road he meets a young woman who is expecting a child by a man who has left her, and the plot grows out of that encounter. Alongside Fernandel, Giulia Rubini and Fosco Giachetti are the names singled out; the cast also includes Leda Gloria, Renato Salvatori, Tina Pica, Alberto Sordi, Andrex, Charles Dechamps, Georges Cusin, Henri Arius, Jean Brochard and Nino Castelnuovo.

As with the original, Blasetti is among the credited writers, together with Giuseppe Amato, Aldo De Benedetti, Piero Tellini and Cesare Zavattini. The film runs about 95 minutes and was made in French and Italian.

DirectorMario Soldati

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Cast

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Alberto Sordi Alberto Sordi Film actor · died at 82 Nino Castelnuovo Nino Castelnuovo Actor · died at 84 Fernandel Giulia Rubini Fosco Giachetti Leda Gloria Renato Salvatori Tina Pica Andrex Charles Dechamps Dany Caron Georges Cusin Henri Arius Jean Brochard Manuel Gary

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Fernandel's unique face, carrying sadness and cheer at once, is a symbol of an era for my generation. This film is the first remake of Blasetti's 1942 classic, and simply seeing Cesare Zavattini's name among the writers warms the heart. A travelling salesman in an unhappy marriage meeting a young woman who has been abandoned promises a warm story in which kindness and humanity are put to the test. It is no surprise that German criticism calls it a loving comedy. Still, for an eye that knows the measure of the original, I cannot help noting that remakes do not always capture the freshness of the first film.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Mario Soldati's film rebuilds Blasetti's Quattro passi fra le nuvole as a French-Italian co-production and, by handing the lead from Gino Cervi to Fernandel, shifts the tone markedly. Replacing Cervi's more restrained dramatic presence with a comedian risks pulling the story's centre of gravity from drama towards farce. Having Blasetti and Zavattini among the credited writers again suggests the structure stays faithful to the original's skeleton, which is both a safeguard and a limitation. Being made in French and Italian may also produce a tonal unevenness that wavers between two national sensibilities. Spotting names like Alberto Sordi and Renato Salvatori, who would later rise, in the large cast is a separate pleasure for film history.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

It is described as a warm, loving comedy, and Fernandel is a face older viewers will remember with a smile. But the subject is a bit grown-up: an unhappy marriage and an abandoned young woman expecting a child. Small children won't follow much and may get bored. Better with grandparents or teenagers.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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