Paris'te Son Tango
Photo: Wikimedia Commons · Filoump · CC BY-SA 3.0

Last Tango in Paris (Ultimo tango a Parigi)

Movie · 1972 · 15 people

Directed by Bernardo Bertolucci, this 1972 French-Italian erotic drama centers on Paul, a middle-aged American hotel owner mourning his wife's suicide, and Jeanne, a young Parisian on the verge of marriage. Crossing paths while inspecting the same rental apartment, they plunge into an affair built on anonymity, vowing never to reveal their names or anything about their lives beyond those walls. Jeanne keeps planning her wedding to Tom, a documentary filmmaker, even as Paul wrestles with his grief. Eventually the gap between their expectations and temperaments pushes the arrangement toward collapse. Marlon Brando, Maria Schneider and Jean-Pierre Léaud headline the cast.

Its explicit sexual content, above all a notorious rape scene, ignited international scandal upon release and brought censorship in numerous countries. In the United States the MPAA initially stamped it with an X; a shortened R-rated edition followed in 1981, and the uncut version was rated NC-17 in 1997. Despite the uproar, the picture proved a huge commercial hit, collected Academy Award nominations for Bertolucci's direction and Brando's acting, and restored the luster of Brando's then-fading stardom.

DirectorBernardo Bertolucci
Production companyProduzioni Europee Associati

Reactions

You can pick up to 3 reactions.

Cast

Only cast members with a profile on this site are listed.

Maria Schneider Maria Schneider Film actor · died at 58 Jean-Pierre Léaud Jean-Pierre Léaud Film actor · 82 years old Marlon Brando Massimo Girotti Marie-Hélène Breillat Catherine Allégret Veronica Lazăr Catherine Breillat Gitt Magrini Darling Légitimus Laura Betti Giovanna Galletti Maria Michi Armand Abplanalp Catherine Sola

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The film's dramatic engine is a simple but radical rule: the two lovers will never tell each other their names or anything about their lives outside. With that rule Bertolucci cuts the affair off from its social context and turns it into an almost sealed experiment; the movement between the rented flat and the wedding plans and grief outside forms the skeleton of the structure. Brando's performance was judged strong enough to revive his fading star and earn an Oscar nomination. Yet the film's reputation today cannot be separated from its aesthetic achievement; the controversial rape scene keeps open the question of how the work should be judged. Formally bold, ethically disquieting: a classic that makes you uneasy.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film's censorship history is a social document in its own right. An X rating in the US at first, a trimmed R version in 1981 and the original cut classified NC-17 in 1997: together they show how the standards for what sex on screen may look like shifted over a quarter of a century. That it was a major box-office success despite meeting censorship in many countries confirms the old bond between the forbidden and the sought-after. For a viewer today, though, the real question may be less free expression than the controversial scene itself, which says something about how what society sees as the problem has changed.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Its place in film history as the picture that revived Brando's fading star is understandable; but for an eye that looks to the classics for warmth and a moral centre, this is a cold world. The nameless affair between a man struggling with grief and a young woman on the verge of marriage tells a story that isolates people rather than bringing them together. Putting sex so squarely at the centre also leaves the characters' inner lives in shadow. One can call it masterful work, but it is hard to call it a film that touches the heart.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments