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Taner Ölmez

Taner Ölmez

Actor · 40 years old

Aleko in the series Yüz Yüze

Biography

Profile

Age40
Birth dateAugust 9, 1986
BirthplaceIstanbul
ProfessionActor
Height1.79 m
Zodiac signLeo
Eye colorBrown
EducationIstanbul University State Conservatory, Theatre Department

Worked most often with

Filmography / Projects

Taner Ölmez — Biography

Taner Ölmez was born on August 9, 1986, to a Zaza Alevi family with roots in Tunceli. He trained at the Theatre Department of Istanbul University's State Conservatory, began his career on stage with the Bakırköy Municipal Theatres, and for a time fronted the band Barabar as its vocalist. After small parts in the 2009 series Kapalı Çarşı, Kül ve Ateş and İstanbul'un Altınları, he had his real breakthrough in 2012 as Sadık in Kayıp Şehir, and moved into film that same year with Osman Sınav's Uzun Hikaye. In 2013 he played Mert Asım Serez in Medcezir, the Turkish adaptation of The O.C., and in 2014 his stage role in Katil Joe won him the Afife Jale Theatre Award. He went on to play the young Osman in Muhteşem Yüzyıl: Kösem, Aleko in Yüz Yüze, and Ahmet Akbaş in the film Müslüm. His role as the autistic surgeon Ali Vefa in Mucize Doktor, beginning in 2019, brought him the Elle Style rising actor award and a Golden Butterfly for best actor. He married actress Ece Çeşmioğlu in 2021, and the couple went on to have two children. In 2023 he played Ziya in Çağan Irmak's series Yaratılan (released internationally as Creature), and in 2024 he appeared in the series Deha and in Hayatla Barış, about an amputee footballer.

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Their work through different eyes

AI-assisted editorial takes on this person's screen work, written from different viewer perspectives. They are not reader comments; those are below.

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

The first stop among Taner Ölmez's series should be Mucize Doktor: Ali Vefa, a young autistic surgeon raised in orphanages, changes the lives of the people around him while facing prejudice. Because the role rests on the character opening up slowly over a long run, it tests an actor's patience, and Ölmez carries that arc along a consistent line. Next should come Çağan Irmak's Yaratılan, where Ziya, a medical student who brings his mentor back to life, demands an entirely different intensity in a short series blending period drama and horror. Cesur Karan in Deha shows him in an action drama.

History & Society Lens Asks about the period, the social background and what the work reflects.

The role that brought Taner Ölmez to a wide audience, Sadık Toptaş in Kayıp Şehir, is one of the urban faces of internal migration. The series sets the close-knit Toptaş family from the Black Sea, newly settled in an Istanbul neighborhood, amid poverty, discrimination against women and the Roma, workers' troubles and the violent world of street children, and his role looks out from inside the family's encounter with the city. Osman Sınav's Uzun Hikaye is an older version of a similar journey: he plays Celal in the story of a family from Bulgaria wandering from town to town along the railways. Together, the two make uprooted families' struggle to hold on, in the city and in the provinces, the common ground of his filmography.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The range Taner Ölmez shows on television has not yet found its match in cinema. Müslüm is a biography built on the singer's rise and his life with Muhterem Nur, and Ölmez, as Ahmet Akbaş, is one of the names around that story. In Onur Ünlü's Kırık Kalpler Bankası he is Osman within a large cast in which Hazal Kaya and Zerrin Tekindor stand out. In neither film does the script put him at the center or open room to test the transformative skill that runs from Sadık to Ali Vefa. The real test of his film acting will be a lead that carries him from start to finish; that role has not been written yet.

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