Out 1

Out 1 (Out 1 : Noli me tangere)

Movie · 1971 · 5 people

Jacques Rivette and Suzanne Schiffman made Out 1, also known as Out 1: Noli me tangere, a French experimental mystery film from 1971. It runs nearly thirteen hours (776 minutes) in eight parts of roughly ninety to a hundred minutes each, making it one of cinema's longest films. For decades it was hard to see, which turned it into a cult object.

The film draws on Honoré de Balzac's La Comédie humaine, above all the Histoire des Treize cycle. Like Balzac, Rivette and Schiffman use the great length to build many loosely linked characters, each with stories and subplots that cross and keep turning up further characters. Every part opens with a handful of black-and-white stills recapping the previous episode. The cast includes Jean-Pierre Léaud, Michael Lonsdale, Bernadette Lafont, Juliet Berto and Bulle Ogier.

The experiment with parallel subplots was shaped by André Cayatte's two-part La Vie conjugale, while Rivette first tried the idea of a very long film in L'Amour fou. The full-length cut carries the subtitle Noli me tangere ("touch me not"); the shorter edit of around four hours is known as Spectre. The film has drawn steady critical acclaim since release, placing 127th in the 2012 Sight & Sound critics' poll and 169th in 2022.

DirectorJacques Rivette, Suzanne Schiffman

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Out 1 is one of the rare works that turns cinema's sense of duration into a field of experiment. Drawing on Balzac's La Comédie humaine, especially the Histoire des Treize cycle, Jacques Rivette and Suzanne Schiffman build a web in which loosely linked characters and crossing subplots keep multiplying. Its eight parts, 776 minutes in all, each open with black-and-white stills recapping the previous episode; even that small structural choice plays with the viewer's memory. Names like Jean-Pierre Léaud, Michael Lonsdale and Bulle Ogier bring a performer's freedom to this open-ended texture. It is certainly not for everyone's patience, and the length sometimes slides into diffuseness; but its steady place in the Sight & Sound polls is earned.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Nearly thirteen hours. Just hearing that might wear you out. Out 1 has no thriller tension, no chases, no big plot engine; characters multiply and subplots tangle, but the pace is slow by design. For me it is less a marathon than a patience test. If you are curious anyway, the roughly four-hour Spectre cut may be a more reasonable place to start.

History & Society Lens Asks about the period, the social background and what the work reflects.

Out 1's most striking feature is that it draws on Balzac's La Comédie humaine. Balzac tried to paint the whole panorama of a society through hundreds of interlinked characters; Rivette and Schiffman use the film's great length to the same end, building lives and stories that cross one another. This approach invites us to read society not through a single hero's eyes but through a web of relationships. Yet because the film concentrates on formal experiment rather than openly tackling a particular historical or social question, it leaves much of that reading to the viewer.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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