Ejareh-Nesheenha

Ejareh-Nesheenha

Movie · 1987 · 11 people

Dariush Mehrjui wrote and directed Ejareh-Nesheenha (known in English as The Tenants, in French as Les Locataires and in Russian as Arendatory), an Iranian comedy-drama. Shot in Persian and running about 120 minutes, it is widely acclaimed as the best Iranian comedy of the 1980s.

The story follows the residents of an old, run-down apartment building on the edge of Tehran. While trying to repair the place they live in, the tenants run into one problem after another, and the film handles this with a tone that is both funny and thoughtful. Ezzatolah Entezami, Akbar Abdi and Hamideh Kheirabadi take the leading roles, with Hossein Sarshar, Reza Rooygari, Iraj Rad, Siavosh Tahmoures, Farimah Farjami and Manouchehr Hamedi also in the cast.

It was made at a time when formulaic, slogan-driven films dominated Iranian cinema, and it stands apart from its contemporaries for its abundant political and social references. It stayed in cinemas for eight years, was the top-grossing film of its release year and reached more than five million viewers, making it one of the most-watched Iranian films of its theatrical era. In a poll of critics run by Film magazine it also ranked among the best films in the history of Iranian cinema.

DirectorDaryuş Mehrcui
Ejareh-Nesheenha Ejareh-Nesheenha Ejareh-Nesheenha

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Hamideh Kheirabadi Hamideh Kheirabadi Actor · died at 85 Ezzatolah Enzetami Ekber Abdi Hossein Sarshar Reza Rooygari Iraj Rad Siavosh Tahmoures Farimah Farjami Manouchehr Hamedi Ferdows Kaviani Manizheh Salimi

Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

A run-down building on the edge of Tehran and the tenants trying to fix it: the setting of Ejareh-Nesheenha invites a reading as a metaphor in its own right. Made when slogan-driven, formulaic films led the field, it stands out for its abundant political and social references, and it is smart to make them through quarrels among neighbours rather than through speeches. Staying in cinemas for eight years and reaching more than five million viewers suggests audiences recognised these shared troubles from their own lives. Some of the references, though, may stay opaque to a Turkish viewer unfamiliar with the Iran of the 1980s.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Written and directed by Dariush Mehrjui, the film aims at the hard balance of ensemble comedy: keeping many characters gathered in one building together in a tone that is both funny and thoughtful. Confining the action to a single apartment block risks staging that feels theatrical, but the same limitation can also be a tool that concentrates the clashes between characters. Its place among the best films of Iranian cinema in Film magazine's critics' poll shows its worth is not limited to box-office success. The weakness is the usual one for this kind of film: amid a string of problems and a crowded cast, the story's centre can scatter and the humour can repeat itself. Even so, as a deliberate stylistic answer to the formula films of its day, it holds a place of its own.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A comedy about the troubles of the people living in one building, which is a subject everyone at home can follow. But it is in Persian, subtitled and full of political references, so it may not hold young children's attention. For teenagers and adults, it gets you talking about neighbourliness, shared responsibility and solving things together. Worth considering for a patient family.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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